20 October 2014

Drone Strikes

A dear friend of ours here in Búzios has two sons who live in New York. Recently, his sons were down here visiting. One of the sons, Raphael, built his own drone which — having gotten it through Customs — he carried everywhere he went in Brazil, including to breakfast at our house. I must say, we were rather excited at the prospect of having a bird’s-eye view of our house and our neighborhood!






Here’s Raphael setting up his pet drone —
















Here’s the drone starting out on its mission —
















While Raphael works the equipment —





 




And here are the resulting videos, courtesy Raphael Krengiel — the first gives a general overview of our neighborhood:


And the second one is more focused on our property and its immediate environs:



(Wish our house looked better. On one side is that construction project I’ve been blogging about, the one that’s seemingly been abandoned now for almost a year. It’s nothing but a big, ugly scar. On the other side of us, the swimming pool was being repaired at the time of the drone’s visit. Bummer.)

13 October 2014

Culture Shock

Coming in on the Marginal Tietê
What bumpkins we’ve become! We lived in New York, for heaven’s sake, we’ve been in a Big City before. But much to my surprise and consternation I started feeling the first signs of certain anxiety on our approach to São Paulo a few weeks ago. The tall buildings were looming on the horizon, growing higher and more menacing as we got closer. The traffic was getting heavier, with huge trucks and lumbering buses crowding the little cars and blocking the traffic signs. How would we see our exit? I’m convinced that if you miss a turnoff in São Paulo you can easily end up caught in Johnny Carson’s Slauson Cutoff routine! The overpasses and underpasses and highways feeding into São Paulo were becoming more and more complex. It was dizzying.

The monstrous Holiday Inn Anhembi
Mark and I had been invited to attend a congress/convention event in São Paulo on behalf of a business magazine back in the States. Since this invitation was a great opportunity for us to get out of the house and actually go somewhere, we accepted. We hadn’t been in São Paulo for years! I was excited! How was I to know how frightening and bewildering and unpleasant it would be once I was actually in such a vast expanse of concrete, steel, fumes and noise. It didn’t help that we were put up at the largest hotel in all of Latin America, the Holiday Inn Anhembi. A great hotel if you have business in the adjacent convention center. A dreadful place if you don’t. When your day’s business is done at the convention center you’re completely trapped out on São Paulo’s periphery in an enormous complex of buildings and arenas and parking lots. Want to explore nearby restaurant offerings? There are none. Want to do some window shopping? No dice.

There were days when we thought, Hey, let’s ditch the event and take the subway to our favorite São Paulo neighborhoods. At least that way, we figured, we’d be reminded of the best of São Paulo. Unfortunately, the closest subway stop was so far from the hotel that we needed to take the hotel’s shuttle bus to get there. Then there was the subway itself. When did it get so big? When did the transfers get so complicated? Where did all those people come from? I tell you, during one of these rides (okay, it was a Friday at rush hour) Mark and I were so packed and wedged and shoved in that we panicked and forced our way out of the car at whatever the next stop was. We managed to find a taxi, only to end up stuck in one of São Paulo’s forever and endless traffic jams.

But it wasn’t all bad, since we did find our way to São Paulo’s renowned Bienal exhibition of avant-garde art in beautiful Ibirapuera Park, where the piece we liked best was a huge mural on the entrance wall called "Map," by the Chinese artist Qiu Zhijie. Since it was all in English, most Brazilians walked right by. But Mark and I spent a long time studying it, sometimes laughing out loud at its ingenuity.





We also passed through the São Paulo Museum of Modern Art right next door, where an exhibit of hundreds of personal shopping lists caught me up. I must have read each and every one. How could I not? I’m a list-maker from way back!





Doesn't look like much in the pictures, but once you get up close and start reading . . .












We also did our share of ooh-ing and ah-ing at São Paulo’s Municipal Market, an absolute must-visit for me. Walking around the Market, with its unbelievable wealth of gastronomic offerings, I almost — just almost — thought about moving to São Paulo. For about a minute.
Here's just a slice of what's on offer:














A visit to Avenida Paulista is always de rigueur for us; it’s the heart of the banking and office building sector and there are always interesting art exhibits in, or just off of, the bank lobbies. There’d been lots of changes, but we did, as always, pass by one of the last — if not the last — old coffee baron mansions still standing, albeit on its last legs.





Residência Joaquim Franco de Mello, circa 1905 . . .


. . . and circa 2014 . . .









Still and all, what for us was the best part of getting away? Coming home.







Dear Readers,
I’ve ended my third year of blogging! I made a half-assed promise (to myself) to continue through the 2016 Olympics. Maybe by then I’ll have said everything I have to say about Brazil. Or not.

06 October 2014

Penedo

Back in our New York apartment days, Mark and I befriended a Finn who lived right across the hall from us. I had never met anyone from Finland before, so for me she was fairly exotic. We called her Liisa-with-two-i’s, to distinguish her from another friend of ours, a native American Lisa-with-one-i. Liisa-with-two-i’s was a journalist, and she more than once flew off to Brazil on assignment. What was the interest in Brazil? Well, we all found ourselves in Brazil at the same time once, and Mark and I finally learned just what that interest was. Seems that, for the Finnish press, there was a perpetually intriguing story in the little town of Penedo, halfway between Rio and São Paulo. Penedo was the first Finnish colony in Brazil, with a cultural influence that is still going strong today.

Last week Mark and I were driving to São Paulo, some nine hours by car from Búzios. We like to break these drives up and dawdle a bit, so we made that halfway stop in Penedo, too. What a strange place. What a funny place. What a Finnish place.

First up is Little Finland, modeled on villages and stores back in the home country:





 
And of course there's Finnish this and Finnish that, everywhere you look:



 
Not to mention one of the best exports from Finland, properly honored in the Museum of Finland:
 
 
Finished with Finland, and back on the open road, heading to the highlands of São Paulo:
 
 

29 September 2014

Election Time Again

Brazil is having a presidential election this Sunday. Unlike the United States, where in some ways it feels as if politicians never stop campaigning, here in Brazil the campaign season is rigidly controlled by rules that date back some 20 years. For example, the major networks are allowed to give only one minute of daily campaign coverage to each candidate once the allowed campaign season is in swing (which this year started on August 9th and will run until election day, October 5th). Television and radio commercials air three times a week in two 25-minute blocks, all paid for by the Brazilian taxpayers. (This free air time is divided up between the political parties using a very complicated formula, please don’t ask.) Mark and I can’t vote, of course, not being citizens. But the taxes we pay help fund this folderol.

How dare I call it folderol? I dare. This is my fourth Brazilian presidential election as an observer. And I observe, as any sane Brazilian observes, that it is during this 58-day period, and almost exclusively during this 58-day period, that the words "education, schools, health, hospitals, sanitation, and security" are on every politician’s lips. There’s more at stake than just the presidential chair, and a horde of would-be senators, governors, deputies and councilmen are joining the presidential candidates in making exactly the same promises that have been made for years. Brazil needs more hospitals, vote for me because I promise to build them. Brazil needs better education, vote for me because I promise to take care of that. Brazil’s infrastructure is still primitive, vote for me because I promise to build better roads and bridges. Corruption in Brazil is pervasive and the bad guys have too much immunity, vote for me because I promise to change that. Yadda yadda yadda.

Posters, folders, stickers, campaign materials of all stripes are being tacked onto every available wall and post. Funny, though, there have been very strong wind storms in the last few weeks here in Búzios, so at least here all this material has blown down. And I must say, we’re kind of liking it as litter on the streets rather than in our faces. We can turn off the radio when the political block of time begins, we can turn off the television, too, but we unfortunately can’t escape the cars fitted out with huge speakers, blasting political jingles over and over and over. And what I really wanted to see during the course of this campaign were the televised debates. But believe it or not, there’s no one trustworthy place where voters can get information about the debate schedule. Brazil needs a nice, neutral League of Women Voters!

Some politicians love the campaigning more than they love the governing, but the current president, Presidente Dilma, seems to be at her most uncomfortable right now. At her best she is taken to be a dour, unsmiling bureaucrat, but now her party, the PT, has been trying valiantly to humanize her. They’re making her smile more, though it’s obvious how uncomfortable that is for her. She’s even been forced to tape a series of cooking videos, even though she’s famous for not wanting or knowing how to cook. So far she’s kinda sorta made an omelet and some pasta.

Anyway, it’s only a few more days now before all the vote-for-me ads disappear from print, radio and television. Voting is obligatory in Brazil, and Brazilians are gearing up to do their duty. And since voting in Brazil is done quickly and efficiently on electronic voting machines, we’ll all know within minutes who won or, if no one manages a majority, who will continue to compete in a second round to be held October 26th. Right now all the polls indicate that the second round will be between Dilma and Marina Silva, and Marina has a strong chance of pulling it off. Wow. Brazil’s first black, evangelical, pulled-herself-up-by-her-bootstraps woman president. That’ll be worth a few blogs!

22 September 2014

I Pini di Búzios*

I spend a good deal of my time at home gazing at pine trees, real Northern Hemisphere pine trees, something of an oddity here in subtropical Búzios. But there they are, three of them, on a property just two houses away from us. You probably can’t read the height of the two in the photo to the right, since I wasn’t able to get anything like a kid on a bicycle hauling a friendly Extra-Terrestrial over the treetops into the picture for scale, but they absolutely soar. If I guessed, I’d say the taller of the two is about 60 feet. They fascinate me, and for the simple reason that before moving here I imagined that I was going to be surrounded by palm trees, banana trees and tangly jungly vines. Never would I have imagined sitting on my terrace occasionally humming O Tannenbaum, O Tannenbaum, wie treu sind deine Blätter.

The Austrian owner of the property on which these pines grow was sharing a bottle of wine with us the other day on our terrace. His looming pines watched us silently. "So what," we finally asked, "is the story on those pine trees?" He said, "Christmas trees." As simple as that. He had bought them as Christmas trees and then, instead of just throwing them out, he had planted them, and these giants are what resulted. Of course, the trees did not go zero-to-60 overnight. Our neighbor has been here in Búzios for well over 30 years.

Hugo of the pine tree
There’s another Búzios pine tree I had a very strong attachment to for many years, and I wish now that I had a picture of it from back before some Paul Bunyan-type came along and chopped it down. (Local environmental law says that if you want to chop down, or even trim, any of the native species on your property, you have to get a permit; in the absence of a permit, you risk a fine. Non-native species? Whack away at will.) This other pine I am thinking of was on the property of our dear and now long-lamented friend Hugo Oks. Of all the Argentines living here in Búzios, charming and aristocratic Hugo was far and away our personal favorite. On an afternoon on which he served one of his famous moqueca lunches, his towering pine tree, taller even than our neighbor’s three, was the beacon that lighted our way. I won’t say you could see it for miles off, but, because Hugo’s property was at the top of a fairly decent hill, you could see it from quite a distance. Even if you weren’t on your way to Hugo’s but you were headed somewhere else in the general direction of Ferradura, there it was, tall and proud. Then dear Hugo kind of allowed himself to die at the absurdly early age of 59. His property was sold and then — who knows why? — there was all of a sudden no more Hugo pine tree any more than there was a Hugo.

Roasted pine seeds, deelish!
Although pine trees in Búzios seem — to me at least — to be a bit strange, down in the much more temperate climes of southern Brazil, they flourish. One of the traditional cold-weather snacks in the state of Rio Grande do Sul are roasted pinhões, or edible pine seeds. I have a friend from there whose childhood is full of memories of pinhões right off the fire, the way some of us remember the roasted chestnut street vendors in New York. But why is it that I look at our neighbor’s pine trees every day in such wonder as they tower over his palm trees and his banana trees and his poincianas? Maybe it’s because I, too, am a transplant. And it’s not that we transplants have to stick together. It’s just that sometimes we recognize each other, with a subtle tip of the hat.

*with apologies to Ottorino Respighi, composer of the symphonic poem I Pini di Roma

15 September 2014

Lost in (Mis)Translation

I don’t like to use this blog to rant, and I believe I have successfully held to that rule (except for anything I write about Driving in Brazil which, believe me, is a subject impossible not to rant about). However, today I must rant. And it’s not a rant about Brazilian bureaucracy, or how the Patriot Act in the U.S. has begun to criminalize innocent Americans living abroad, or anything of the sort. In fact, it’s a rant that could be ranted anywhere in the world. It’s a rant about how a number of people here — Brazilians, Germans, Argentines, doesn’t matter — have over the years asked Mark and me to help them with translations into English (which we have done gladly, and at no cost) and then argued with us — ARGUED WITH US! — about what we, the native speakers of English, have provided.

The first time this happened was over dinner in our house with some guests. One of them, an extremely competent Brazilian speaker of English, asked us some question or other about a grammatical point that had been bothering him. Forgive me, I’ve racked my brain, but I can’t remember the exact question, only that it was about a rather subtle point. What I do remember clearly is that after I answered, and satisfied the guy who had asked the question, there came an arch, Brazilian-accented voice from the other end of the table : "No, you’re wrong." And this woman, the girlfriend of a friend of ours who was being introduced to us for the first time, went on to explain why I was wrong. And, of course, she was wrong. Well, how it all turned out has fallen into the folds of forgotten memory. To this day all that remains in my mind is how taken aback I was at the pig-headed sureness of this non-native speaker and the sharpness of her attack. Oh, and how she’s never been invited back!

The next occasion was over a translation Mark was asked to do for the Búzios tourism office. The text included the Portuguese-language word outrora, for which a dictionary might suggest "formerly, of old, yore, long ago, in former times, before now" as translations. But Mark, who is a writer, and for whom words are important, found a better translation for the gist of the sentence in the word "yesteryear." Remember growing up watching episodes of the Lone Ranger ("Return with us now to those thrilling days of yesteryear")? Remember sitting in high school French class, reading François Villon’s poem Ballade des Dames du Temps Jadis with its most famous line, "mais où sont les neiges d’antan," translated so famously as "where are the snows of yesteryear?" Or maybe you saw the second episode of the first season of the animated version of Star Trek, the one called "Yesteryear"? No? None of the above? Well, neither did the person who received this translation, an English-speaking Brazilian who had never seen the word "yesteryear." And since he had never seen it, it was obviously wrong. So he "corrected" the translation. And that ended any further translating Mark or I would ever do for any government office in Búzios.




     It’s a WORD, dammit!


















Years went by, requests were refused, until I relented when a friend asked me to provide the English translation for a book she and a friend were doing on Búzios beaches. I told her I wouldn’t do it unless she could guarantee that no one — absolutely no one — would mess with my translation once it was submitted. She swore that nothing would happen, in fact, with everything so computerized nowadays it couldn’t even happen! Well, in this computerized world, here’s what happened, and you don’t even need the original Portuguese: My translation read, ". . . that sits at the foot of the Santa’Anna Church hill," and somehow the text that was published became ". . . that lays over the feet of Santa’Anna Church." Lays over the feet? Is that even English? Where did it come from? Not to nitpick, but there were other words just dropped from the translation, leaving the sentences completely unintelligible. You can imagine how proud I am when I see my name in print as the translator.


And only a month ago a German acquaintance called, a woman who translates both Portuguese and English into German. Lucky for her it was Mark who answered the phone, because he had a wealth of information for her about the expression she was having trouble with, which was "Strait is the Gate." Mark first explained the expression, then he referred her to Matthew 7:14, "Because strait is the gate, and narrow is the way, which leadeth unto life, and few that be that find it." He also referred her to the 1909 novel by Andre Gide, La Porte Etroite, for which "Strait is the Gate" is the English translation. And just so that she’d have a richer understanding he talked about the English expression, to be in dire straits. Seems, however, that she was working with an incorrect English text that had printed "straight" instead of "strait." Not her fault. Not Mark’s fault. But she argued with him anyway, even though he was right and the English text was wrong.

I never have, and never would, argue a point of grammar or usage with a native speaker of any language not my own. It’s absurd! I mean, I feel I’m a competent speaker of Portuguese, but there’s so much I don’t know, so many cultural references, historical references, so many regionalisms, so many plays on words that I couldn’t possibly know better than a native Portuguese speaker. All I’ve ever asked for is an understanding that it works the other way, too.

08 September 2014

Marcelo Lartigue (1953 - 2014)

Marcelo Lartigue, owner, editor and one of the founders of Búzios’s 33-year-old weekly newspaper, the Perú Molhado, or Wet Turkey*, was quite possibly the single most important person in Búzios. Argentine by birth, he was the heart and soul of the irreverent, often scathing, sometimes vulgar and always polemic newspaper, analogous to France’s Le Canard Enchainé and Britain’s Punch. Whether you liked Marcelo or didn’t like Marcelo, found him humorous or just provocative, gentle or biting, there was no getting around it. Marcelo was a force and a personality. Hard to think of any city and newspaper that reflected each other better, and to the greater honor of both.

I never understood a word Marcelo said. Really, not one. Even after all his years in Brazil, his Portuguese came out as Spanish as — well, as Spanish as his Spanish. I’m not sure when or how we all first met, but as soon as he learned that Mark was a writer, you could see the light go off in his head. From that day on we would hear "Bocha" being shouted at us, whether from a car veering off the road in our direction or from the depths of some restaurant we’d be walking by. (Bocha was Marcelo’s nickname for Mark. Don’t ask.) Anyway, there was Marcelo, hoping to get Mark to write something — anything — for the paper. Well, Mark didn’t need courting. He happily complied. And although Mark always wrote in Portuguese, together we once did an entire English-language version of the Perú Molhado for distribution at a tourism event in Las Vegas.



(See http://issuu.com/operumolhado/docs/1109ingles for the whole issue.)

Marcelo died last week from two heart attacks suffered after undergoing a liver transplant. Not just any liver transplant, either. The story is much more compelling. In an attempt to save her father’s life, Marcelo’s 18-year-old daughter Eva donated a portion of her own liver the week before. I don’t know Eva well — maybe I met her all of two times? — but I admire her enormously. Hers was an act of great love and astounding courage.

Some years ago Marcelo came by the house to ask Mark and me to give him English lessons. For some reason or other he needed to be fluent in six weeks. It wasn’t easy turning him down, but we did. We tried to convince him that if he couldn’t learn Portuguese after 30-plus years in Brazil, he probably wouldn’t do that well after six weeks of English lessons, either! Marcelo noticed my artwork all around the house. We talked about it a bit, and I showed him my studio. After that day, whenever he had a chance, Marcelo would ask me for one of my abstracts. I never gave him one. Now I wish I had.

Mark begs the privilege of adding a word:
Over the years, I’ve worked with a good many of the world’s great editors and publishers — Harold Hayes of Esquire; Daniel Filipacchi, who owned half the magazines in France; Hefner. Marcelo had more energy and imagination than any of them, and for shameless exhibitionism he rivaled my late lamented friend Al Goldstein. Marcelo was the paper as much as the paper was Búzios. How our little city can survive this loss is beyond my comprehension. It will certainly never again have the same heretic charm.


*Actually, there's more to the name than meets the eye, because peru is also a slang term for penis. Typical Marcelo.